It seems eerie yet fitting that the Los Angeles stop of Cirque du Soleil's MICHAEL JACKSON: THE IMMORTAL WORLD TOUR took place over the weekend at none other than the Staples Center in Los Angeles. It is, after all, the very same venue where Jackson held rehearsals for his planned 2009 World Tour "This Is It" before passing away rather suddenly in June of that year. Days later, the venue then also served as host to the pop star's public memorial service, where celebrities and family members shared loving anecdotes in front of Jackson's closed casket, as millions watched around the world on live television. So to see this extravagant, visually-arresting tribute to the King of Pop here makes absolute perfect sense. (And due to popular demand and brisk ticket sales for its three-show engagement this past weekend, the tour has added two additional shows at the Staples Center scheduled for August 14 and 15).
As an overall show, THE IMMORTAL is, without a doubt, a full-throttle spectacle worthy of the man it is trying to pay homage to, despite its rough construction. But be forewarned—those expecting the "Cirque" in Cirque du Soleil will be hard-pressed to find much of it here. Under the direction of star choreographer and music video wunderkind Jamie King, the show is more of a haphazardly-structured dance showcase set to the Jackson jukebox—a slight but noticeable departure from your typical big-top Cirque extravaganza.
Yes, there are plenty of gorgeous contortionists, acrobatic tumblers and aerial artists of the Cirque ilk here, but they are almost lost in the sea of sparkling lights, LED projections, and the crunk-and-circumstance of the show's army of hip-hop aficionados. Thankfully, the entire dance troupe is incredible in every way (one particular stand-out: one-legged dancer Jean Sok who flips like nobody's business!) When the fantastical Cirque moments do occur in their own spotlights—such as the gorgeous "Human Nature" space-scape, the freaky but fascinating contortionist that emerges from a gigantic storybook, and the aerial pas de deux of swans set to "I Just Can't Stop Loving You"—they are intensely moving. But, as befitting a show about HIStory's King of Pop, this tribute focuses its energy in the dynamic juggernaut that is Jackson himself—the man, the music, the moves, and, most of all, the message—which explains why this Cirque show isn't very Cirque in the first place. Not surprisingly, by the time we reach the blockbuster ending, the show has erupted into a full-scale United Nations dance-a-thon block party that feels nothing short of a downscaled version of an Olympic Opening Ceremony. If only the world could get along this well. And even without the actual physical presence of Jackson himself, you'd think you were in the middle of an actual Jackson concert, judging from the fervent reaction of the sold-out opening night crowd. Controversy aside, Jackson's legacy truly lives on....sparkly single glove and all.All Photos: OSA Images / ©2011 Cirque-Jackson I.P., LLC Follow West Coast Editor Michael L. Quintos on Twitter: @cre8iveMLQ-----Due to overwhelming demand, Cirque du Soleil has announced that MICHAEL JACKSON: THE IMMORTAL WORLD TOUR will return to the Staples Center on August 14 and 15, 2012 for the two final US performances before the world tour continues abroad.For additional information, remaining U.S. tour dates, or ticket ordering information, visit www.cirquedusoleil.com/MichaelJackson.Videos